Tom Mullen back in western New york for summer ’26

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Updated: April 24, 2026

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Tom Mullen will appear at several familiar venues in Western New York this summer, starting with a solo acoustic performance at The Irishman in Williamsville, NY on May 8. Mullen will also return to Ilio DiPaolo’s Restaurant in Blasdell, NY on July 24 and Lock 34 Bar and Grill in Lockport, NY on July 30.

“I’m pleased and grateful to be returning to some of my favorite summer venues this summer, as well as debuting at a few new ones. There is nothing like summertime in Western New York,” said Mullen.

More dates will be announced soon.

Tom Mullen’s music has been played on hundreds of terrestrial radio stations nationwide and in Europe. His singles “You Were Right, Me. Spock” and Invisible Hand” have garnered almost 100,000 plays on Spotify. For more information, visit his website at tommullensoloacoustic.com.

Tom Mullen Kicks Off Summer with Two Shows in Western New York

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Updated: June 19, 2025

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Tom Mullen will make his debut at Groff’s Cafe on the Green in Lockport, NY on Tuesday July 1, playing a set on the venue’s patio from 6 – 8 PM. The bar & grill, owned and operated by close friends and family, is Lockport’s newest edition to the county golf course legacy.

For the holiday weekend, Mullen will be returning to The Banshee Irish Pub in downtown Buffalo, N.Y. for an afternoon performance Sunday July 6 3 – 6 PM. “Fermented and aged in the fine tradition of Buffalo’s beloved D’Arcy McGee’s Irish Pub,” The Banshee offers traditional Irish inspired food as well as American favorites. In addition to a robust live music schedule, the pub also televises all major soccer games in the restaurant and on its large outdoor covered patio.

“Like every other Western New Yorker, I’m glad the summer is finally here,” said Mullen. “It wasn’t the coldest winter I can remember in terms of subzero temperatures, but boy, it sure took its time ending, didn’t it?”

Mullen will be announcing more summer dates in the coming weeks ahead of a fall schedule that kicks off at Lockport’s historic Niagara Hotel.

Tom Mullen’s music has been played on hundreds of terrestrial radio stations nationwide and in Europe. His singles “You Were Right, Me. Spock” and Invisible Hand” have garnered almost 100,000 plays on Spotify. For more information, visit his website at tommullensoloacoustic.com.

Tom Mullen Wraps Up Busy Memorial Day Weekend

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Updated: May 28, 2025

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Tom wrapped up a busy Memorial Day weekend on Sunday afternoon with a solo acoustic performance at Stooges Stuffed Burger Bar in Lockport, N.Y. He got started just after the parade finished around 2 PM and kept a smilin’ and a strummin’ until dinnertime.

Stooges features stuffed burgers using local ingredients and a unique atmosphere in Lockport’s historic Old City Hall.

Tom began the weekend’s performances the night before by making his first appearance at Bloomfield’s Pub in Depew, N.Y. The weather had been cool and rainy to start the holiday weekend but there was plenty of sunshine inside Bloomfield’s thanks to great food, great service, and great music.

Bloomfield’s Pub, “Home of the Appetizers,” features a wide variety of gluten free choices and regularly hosts live music events.

“I don’t mind spending a holiday weekend this way at all,” said Mullen. “If you’re going to be in this business, you’d better get used to it. Besides, given the weather we ran into, I’d probably have been doing the same thing at home. The only difference was the drive over,” he added.

More info on Tom, including video and audio samples, set lists, and booking information can be found at tommullensoloacoustic.com.

Into the Twilight by Tom Mullen #29 on national radio chart

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Updated: August 3, 2022

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Tom Mullen’s new album, Into the Twilight, was listed at #29 on the latest JamBands national radio chart. The top 30 this month features music legends Paul McCartney, Neil Young, and Willie Nelson, among other notable acts.

Tracks from Into the Twilight are currently being played on over 100 terrestrial radio stations, with new entries every week. The lead single, “Invisible Hand,” has over 30,000 Spotify streams and continues to be featured on new playlists. Mullen has also released a music video of the single.

“I’ve tried to turn the past year into a positive by releasing the album and supporting it the best I can online,” said Mullen. “Hopefully, there will be an opportunity this year to get out and play live for supporters.”

More information on Tom’s music can be found at www.skepticsongs.com.

Tom Mullen album Into the Twilight enters College Radio Charts

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Updated: August 3, 2022

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Tom Mullen’s new, full-length album, Into the Twilight, debuted on the College Radio charts at #336 for the week ending February 10th. We hope to see the album climb higher over the next several weeks.

Special thanks to WRIR in Richmond, VA, WTCC in Springfield, MA, and WVIA in Pittston, PA for reporting the album in their top 40 playlists, and WLFR in Galloway, NJ for making it #4!

You can find the album on Spotify here and Apple music here. It is also available on Pandora, Deezer, and most other music platforms.

Or, you can be old fashioned and purchase your own copy in our store!

Thanks to all for your support.

World Premiere of “Invisible Hand,” a new music video by Tom Mullen Dec. 9 7 PM EST

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Updated: April 22, 2021

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Add this song to your playlist on Spotify – https://open.spotify.com/album/3rGmJZ…

Listen on iTunes – https://music.apple.com/us/album/invi…

Video was produced and directed by Bryan Siemon.

Musicians

Tom Mullen – guitars and vocals

Mark Buckley – bass

Harold Palms – drums

Recorded at Loft Studio Cheektowaga, NY. Music produced by Jim Sommer. A Liberty Unleashed Production

Review: Invisible Hand by Tom Mullen in MobYorkCity

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Updated: October 1, 2020

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Sung from his perspective, Mullen sings that the real work being done isn’t from politicians and government, but from the actual people. Don’t believe there ain’t nothing free, he contends. He sings with gratitude and a sense of pride. One interpretation of this song might be to call it a gathering storm. Just as he reminds the listen to follow the golden rule and allow the free market society (hence, the invisible hand) follow its course, a slew warm, melodic guitar riffs bolster his mid-range voice. Just leave it up to supply and demand, he sings. Mullen, a former lead singer/guitarist for the band The Skeptics (not the New Zealand punk band…a different one), might not be a college-age kid anymore, but he can still deliver a rock song. “Invisible Hand” has a sense of maturity embedded in the lyrics, and the polished production. Don’t go and call him an old fuddy-duddy, though, because he’s not that old. His voice still sounds young, still very enthused to be recording. His press materials note his comparisons to Elvis Costello and that’s a pretty spot-on assessment.

“Invisible Hand” communicated to me a feeling of restlessness and the desire to have a whole entire generation learn to wake up. In a trojan horse sort of move, Mullen wraps his words and guitar prowess (and a fine drum arrangement, too) with a shiny shellac. Peeling back the top layer, there is a grit, a blue collar layer to Mullen’s Buffalo, New York-raised vocals and playing. He’s hard working and he’s a realist in so many ways; “Invisible Hand” delivers a perfectly fine story and song that fans of songwriting will admire. The high hat beat pushes through, but it’s the guitar and Mullen’s word that make the most impact.  You believe him – you buy into what he’s saying because he has that genuine voice we haven’t heard since Neil Young. Unlike government spending, he doesn’t add any pork here; it’s a clean, lean song.

Read the whole review here.

Review: Invisible Hand by Tom Mullen in Indieshark

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Updated: October 1, 2020

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What I really enjoyed about “Invisible Hand” is the song’s honesty. Mullen has integrity in his voice and the music foundation is pure rock and roll. He throws out a few politically charged lines, but overall, this isn’t one of those songs that will alienate listeners. He’s calm, but there is a glimmer of spunk in his voice. I don’t think he’s coming from a disillusioned viewpoint. I think he’s from a mature standpoint. His idea of social justice warrior is to be behind a microphone, armed with a guitar. I think, like the great poets of the 60s (Joan Baez, Buffalo Springfield and more) his heart is true. Dabbed with the tempo of an Elvis Costello track, “Invisible Hand” transforms the listener across several musical eras. It has that pull that takes you more into the nostalgic guitar worlds, but Mullen’s voice and overall vibe sounds perfectly modern.

HEAR NOW: https://tommullen.hearnow.com/

“Invisible Hand” is part of Mullen’s anticipated sophomore solo album. He expects the collection to be out in early 2021. His last outing was 2018’s Unfamiliar Ground. What I’ve learned as new listener to Mullen is that his approach to music is unencumbered by any rhetoric or extra bells and whistles to his music. It’s raw, it’s genuine. “Invisible Hand” has a most subtle way of gripping the listener. It’s one of those slow burner songs that lingers for hours, and leaves a strong impression. I would highly recommend this song to the fans of the aforementioned groups (R.E.M., Elvis Costello and the Attractions) but also think fans of John Fogerty, The Smithereens and The Replacements will embrace Mullen’s exceptional skills. His kickoff to a new chapter in his career, is on solid ground.

Read the whole review here.

Review: Invisible Hand by Tom Mullen in Independent Music and Arts, Inc.

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Updated: October 5, 2020

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The guitar feels like the real star of “Invisible Hand” and his Holly-influenced guitar playing is almost tangible. The guitar jumps out of the song, in happy-go-lucky sort of way. I felt a wave of nostalgia over me listening to “Invisible Hand” and it’s more about the vibe and the freedom of the guitar (and rock and roll) that Mullen seems to be communicating in my listening experience. You can almost reach out and touch the guitar strings, the guitar pic chunky-like riffs are pristine. The bass backbeat is very subtle, and to be honest, it might just be the reverb in the guitar that I’m confusing that rhythm with. It really transported me to a Back to the Future moment (Johnny Be Good!). “Invisible Hand” is a toe-tapper.

 I also felt a bit more interested in the economics and Wall Street after listening to Mullen’s words. I can’t call myself an expert in business by any stretch of the means, but he’s inspired me to do some further reading on the subject of free markets and what exactly the American society can do to sustain itself. I never imagined this when the song came across my inbox, but here we are. Unlike anything else I’ve heard in 2020, “Invisible Hand” is hands down one of the most unique.

Read the whole review here.

Review: Invisible Hand by Tom Mullen in Hollywood Digest

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Updated: October 1, 2020

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The term ‘invisible hand’ is a metaphor for the unseen forces that move a free market economy. Adam Smith introduced the lingo in 1759 and this income distribution term has stood the test of time. Singer/songwriter Tom Mullen’s new track “Invisible Hand” further explores this term in song, with a rocking backbeat. Mullen’s monetary muse is one thing – the talent put into this song is another big thing and it pays off.

FACEBOOK: https://www.facebook.com/tommullenauthor/

Don’t worry, his song isn’t all stock market lingo or balance sheet references. Mullen’s laid back vocal vibe, complete with Roger McGuinn (The Byrds) like vocals. Mullen’s words blur the line between folk and Americana. Honoring a bit of protest songs of the past, but with a broader rock and roll glaze, “Invisible Hand” is one man’s case for letting the capitalistic/free market world continue. Afterall, Mullen sings, when you leave it to people, they will do the right thing. With so much strife in the world, it’s nice to hear a clean, clear song like this. Mullen’s congenial voice is a nice balance to what I’m assuming is a Gretch guitar or a Buddy Holly Strat. The tone is warm and an upbeat rhythm. They say a central plan is what we need, to overcome all this thoughtless greed. All for one, and one for all, he sings. The guitar curls around his voice. Just When he sings the words just leave it up, there’s a nice harmony, with the cymbals hitting at that exact moment. It’s a charming little bop moment. I really enjoyed the guitar arrangements.

Read the whole review here.